<h1>ARCHITECTURAL THEORY, ARCHITECTURETHEORY, ARCHITECTURE THEORY</h1>

Super-Flat

MediaArchitecture
Assessing superficiality … [autumn 2001]
by Franz Sdoutz
Online since April 2007
Last changes: 25th of December 2010


'Electronic Lounge' Graz 1997
I.) Img. _01

Face to [sur]face


In the realm of digital media 'architecture' is a well-established notion - we speak of 'chip architecture', praise 'Architects of the New Economy' or engage in 'Interface Architecture'. It seems to suggest itself, due to the inherent architectural nature of the task: To create a convincing image for a complex system of abstract requirements. Thus building a façade for technology, whose own vocabulary is deemed unapproachable and unpopular.

[…]


'Electronic Lounge' concept drawing, Graz 1997
I.) Img. _02

Informed surface

The form of visual information involved is considered to be an empirical matter, namely systematic "Interface Design" based on probation sequences and their statistic evaluation. The principle of majority rule is turned into design practice. Surveys sound convention, assess consumer behaviour and define (spatial) arrangements. "Architecture" is perceived as an object of mediated reality.

[…]

 

As a result Vitra, Guggenheim and Museumsquartier freshen up the tabloid headlines, anecdotes in newspaper art sections and footnotes of architectural symposium papers. These architectures exist through and for the media - they are both: communication cause and effect.

 

The omnipresent talkshow format settles general opinion on a daily basis. Magazines like Arch+, Schöner Wohnen and Wallpaper* inform users/architects what trend to advance. Their target groups set the current course of architecture.

[…]


Object for the exhibition: »Young Blood: I'm a Young "Austerian" Architect!« 2006
II.) Img. _03

Object of i[r]conic admiration


Criticism of such engineerings is the last (futile) attempt to increase the amount of truth expressed in architecture by means of restraint. The distinction between reality and representation (of reality) has already vanished in favour of mediality. Discharging all claims for the truth in architecture leaves no inhibitions regarding the media.

More exhibitions about architecture, more glossy magazines, more Wallpaper*.


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References:

  1. PELZIQ
    Img. _01 Electronic Lounge 1997
    Img. _02 Electronic Lounge concept drawing 1997
  2. Franz Sdoutz
    Img. _03 Object for the exhibition: » Young Blood: I'm a Young "Austerian" Architect! « 2006
  3. For some enjoyable insights regarding immersion [as management of hallucinations] see 'Architektur als Immersionskunst [Architecture as an Art of Immersion]' by Peter Sloterdijk, published 2006 in 'archplus 178' June 2006 pages 58-61

    PDF 'Total Immersion' Lecture by Bart Lootsma, London September 2007 [added 2010]
  4. 10 "Meaning [Sinn] " [only] requires observation: DIFFERENCE [from anything not making sense, hence remaining » ineffective autopoietically. « V.) 11]
    REPETITION distinguishes from chance V.) 12 [what is unobservable, indistinguishable white noise].
    [See Bikini Bottom for translation(s), added 2010]
  5. Die Gesellschaft der Gesellschaft [The Society of Society]' by Niklas Luhmann, published by Suhrkamp [paperback], Frankfurt am Main, 1998 [published first 1997]
    Volume 1 [Chapter 1-3]
    13 » Gesellschaft ist ein sinnkonstituierendes System. « [page 50]
    » Society is a meaning-constituting system. « [See Bikini Bottom for translation(s).]
    11 » "Alle Kommunikation" schließt sogar paradoxe Kommunikation ein, also Kommunikation, die negiert, daß sie sagt, was sie sagt. Man kann paradox kommunizieren, und dies keineswegs "sinnlos" (im Sinne von unverständlich = autopoietisch wirkungslos). « [page 91]
    12 » Wir geben dem Zufallsbegriff keinerlei kausaltheoretische Bedeutung. In äußerster Abstraktion kann von Zufall als einem differenztheoretischen Grenzbegriff gesprochen werden. Zufall heißt dann, daß die Bestimmung der einen Seite einer Unterscheidung nichts besagt für die Bestimmung der anderen Seite. […] Wir verstehen unter "Zufall" eine Form des Zusammenhangs von System und Umwelt, die sich der Synchronisation (also auch der Kontrolle, der "Systematisierung") durch das System entzieht. « [page 449-450]
    Volume 2 [Chapter 4-5] http://books.google.at/ [added 2010]
  6. 14 With respect to the Guggenheim-Museum Bilbao see: 'On The Bandwagon' written and presented by Jonathan Meades ['Abroad Again'] produced in 2006 by BBC Scotland http://www.youtube.com/ [3/5] [added 2010]

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Links


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more Bikini Hypotheses


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File Log

  • Talk extract: assessing superficiality… : "New Surfaces in Architecture - Perfect Location", Symposium and laboratory: "On the creation and design of media-generated architectures".
    HdA Graz, 3rd November 2001. steirisc[:her:]bst
  • In March 2006 a jury awarded this statement to be part of a joint exhibition, aiming to present current positions of young architectural practises. » Young Blood: I’m a Young "Austerian" Architect! «, was featured at CCEA (Center for Central European Architecture) in Prague in June 2006, at stadtmuseumgraz in November 2006 and finally at Az West (Architekturzentrum Wien) in April 2007.
    [Yes "Austerian", nothing austere, no Auster(ian) narratives; simply Austrians with an "e" … ]
  • January 2010:
    This is a tricky text to translate [yes, there is more] and in its prerequisites almost "too German" to make sense in English …

    My key argument: "Truth is NOT an architectural category" renders a pro [new]media approach!
    1. media as function …
    2. mediated architecture …
    3. mediaarchitecture …


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<h3>&copy; Franz Sdoutz, July 2009</h3>
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